produced by felipe duque & daniel hartl , mastered and cut by tim xavier at , manmade mastering berlin , artwork by maximilian mauracher , vienna 2018

filou returns on artreform with massive release vision v8, including remixes by tom clark, daniel stefanik and reboot.

played by charlotte de witte ! bristolian producer daniel pearce, aka eats everything, has unveiled his remix of the timeless u (i got a feeling) by scot project, a release celebrating 25 years of iconic dance label, positiva records. having sound-tracked an array of nights over the last quarter of a century, 2018 marks positiva s anniversary year, with the eats remix preceding their upcoming weekend of shows at ministry of sound as a very special celebration of their 25th anniversary. established in 1993, the label sold a staggering 35 million singles in the uk alone and chalked up 14 #1 singles through the past two-and-a-half decades, with 2018 marking a year of celebration. rolling with a typically infectious bassline, eats latest release exhibits a rumbling bassline kept in check by crisp drum patterns. the ep comes with a box to house all other releases from the anniversary series.

on an unassuming cassette, just labelled ‘robert rental’ in green dymo tape, these demos have lain unheard for years amongst his family’s treasured possessions, cared-for artefacts of a life cut short far too soon.
these songs, which robert recorded in his council flat in battersea in 1980, provide an enticing glimpse into his all-too-infrequent solo work. on most occasions, robert worked with thomas leer, daniel miller or other collaborators. these are rough recordings, tape hiss still in evidence, but his creativity shines through the murk, like uncut diamonds.

fun key grooves, moving basslines spiced up with pads of dubbie vibes. the journey continues with 4 tunes of deep fun from the cab crew. a warm welcome to noah skelton & youandewan. can u stand those goodies too ? :o) peace

deep listening, spatial imagery and floating introspection evoked by genres of ambient and electronica to enhance the immersive journey with rhythms of dub, bits of breakbeats plus erratic frequency rumbles and machine noises.

computer controlled delves back into deep space with norwell’s interkosmos ep. five tracks of russian space race era influenced electro/techno. hotly tipped last year by helena hauff and with a string of releases under his belt from the likes of umwelt’s new flesh, dalmata daniel, pinkman and his own label with imre kiss, crisis, norwell is definitely one to keep an eye on.

black fox music brings the 2nd and 3rd tag am meer ep (bfm023 & bfm026) in a special price bundle.

this summer, my favorite robot records release another of their excellent and immersive full lengths, this time from german production outfit, rework. the trio of daniel varga, michael kuebler and sascha hedgehog aka rework, describe their musical aesthetic as cabaret-independent-house and combine icy minimal structures with catchy euro-girl vocals, anglo-french funk antics and a dash of dance floor melancholy. playhouse, meant and items & things have all released their work, which includes three albums before now. this latest is another musical adventure filled with surprises. this is an effortlessly diverse album that brings a wide range of influences to the table and ties them all together with reworks unique sense of style and cool

strong summer double pack with tracks & remixes from mathias kaden, the micronaut, deetron, uner, daniel stefanik...

due rent is a collaborative double album by solo artists lojii & swarvy. written & recorded in the summer of 2016 in l.a. by the two philadelphian transplants, lojii says this tape is a score to being a broke nxgga in amerikkka (emphasis on the kkk) – full of dreams and hustlin to make em happen, but dealing with the everyday pressures of making ends meet. a.k.a trying to pay rent. the 22 tracks, many of which barely break the two-minute mark, make for a vast voyage through remarkable contemporary hip-hop. the grooves and beats that skip and flutter are smooth and mellow, with nods to the old-school but entirely void of nostalgia. this is a sophisticated, thoughtful, and inventive modern hip-hop record that understands anger doesnt have to be loud. daniel dylan wray, bandcamp (best 100 albums of 2017)

daniel lopatin aka oneohtrix point never lässt seinem hochgelobten neuen album “age of” die limitierte 4-track-ep “we’ll take it” folgen. der titeltrack ist als albumfavorit gleichzeitig die neue singleauskopplung, die übrigen drei tracks sind bislang unveröffentlicht. eine editierte version von “trance 1” war übrigens teil des radiosignals “a message from earth” zum 40-jährigen jubiläum der golden records, die an bord der beiden voyager-missionen mit klängen und bildern von der erde in den weltraum geschickt wurden. das vinyl erscheint inklusive downloadcode.

strut present the first ever compilation series to access the archives of one of the greatest of all french caribbean labels, disques debs out of guadeloupe.

during the recent years, terence fixmer kept on being prolific by producing and releasing his music output on well esteemed quality labels such as ostgut ton, novamute, jealous god and recently on aufnahme+wiedergabe. following a constant workflow, fixmer decided it is now time to restart his label planete rouge which he launched back in 1998 already but has always been irregular in terms of releases. the label will relaunch after a 4-year hiatus with his new 12-. terence fixmer s oppression ep is a great resume of his unique sound design signature, delivering a collection of four energetic tracks that speaks to the soul. on top of it, as an homage to one of his all time favourite tracks of the normal / warm leatherette from 1978, fixmer decided to rewrite this 40 year old tune from daniel miller as a a personal pleasure and fun. by using as well the mini korg 700 s terence fixmer recreated nearly the original sound, keeping a track that is loyal to his own sound as well as its original spirit.

after the successful release on enough! music 010, with daniel dreier, guido schneider is back and presents his new solo project - “micro vocal ep” on enough! music ltd. two very detailed and subtle tracks with the name “micro vocal” and “supernova” let us hear his musical passion, which has been his passion since the 90’s.

norwegian producer wasserfall makes his way to chicago/los angeles based hesperian sound after several releases for greta cottage workshop, offering a highly organic affair. the ep opens with stiv heks which evokes a lush natural landscape, both dreamlike and quirky. the remix from young chicago newcomer, daniel chavez, strips down the original for a simplified yet feverish dancefloor edit. the b side returns to wasserfall s signature laid-back jazzy deep house sound with twilight andgravlaks, which flex the producers knack for working in samples into his grooves. a consistent warm psychedelia flavors these four functional tracks with looseness and reverie.

auf dem bis dato facettenreichsten und zugleich schlüssigsten werk daniel lopatins, verknüpft der 35-jährige die unterschiedlichsten musikalischen einflüsse – von alter musik über country- und folk-balladen bis hin zu melodischem pop, computer-musik und noch ganz anderen stilen –, womit er abermals eindrucksvoll belegt, wie vielschichtig und komplex sein musikbegriff ist. indem er klangwelten entwirft, die einerseits verwirrend geläufig sind, dabei aber doch ganz klar seine handschrift tragen, entführt er die hörer und hörerinnen im verlauf von -age of- auf vollkommenes neuland.

comeme writes a new chapter of its own history, introducing a new artwork, a new logotype and new music starting with these three various artists eps. we have decided to call it solidarity forever as a motivator for our everyday actions, and as a reminder of why we are doing what we do. these 12inches will introduce artists new to the label, new collaborations and new approaches from co&#769,,,meme members already familiar to you. volume one will feature tracks by matias aguayo, katerina, daniel maloso x red axes and gladkazuka, you will be able to hear heavy modern latin riddims, technotic melancholia, lysergic disco fantasy and post internet underground funk - utopian music against dystopian times. and this is only the beginning.

crown of brahma are charles stella, nicole willis & daniel wyatt. the songs “an angel on my shoulder” & “and i’ll be free as a bird” were recorded in the period between 1995-1997, originally set for release on an lp on rawkus records in 1997. this album would have followed the release of the group, repercussions, album charmed life (pony canyon, 1997). nicole willis was the lead singer / songwriter of this group. charles stella & daniel wyatt worked together at temple of soul in new york city, where some of charmed life was also recorded. these two vocal tracks have never been commercially released, however were heard by tommi grönlund of sähkö recordings and leftfield, who requested to work with ms willis in result. the two tracks have been remastered in 2017 by charles stella.

for the past two years, flee has been working on its first issue entitled benga music – a signature genre from kenya. conceived as an attempt to document a kenyan timeless music genre – benga – this issue is also a visual and audial tribute to the heritage of east african music. approaching this musical genre with a new and innovative perspective, the first release of flee features a vinyl compilation and a printed journal. faithful to the local essence of the genre while transcending unproductive nostalgia, the two objects ensure that the vibrant traditional roots of the benga movement interact with a contemporary approach. to make this initiative possible, we joined forces with celebrated kenyan journalists, ondiso madete and emmanuel mwendwa, and collaborated with renowned international specialists such as douglas paterson. this great team work translated into a well-documented manuscript, with exciting articles, exclusive authentic photos of the era and creative present-day illustrations celebrating the genre. accompanying the journal, the record tells a surprising story, starting with the pioneers of benga (daniel owino misiani, george ramogi and the migori superstars) and concluding with the modern respectful re-interpretations of nik weston, jaakko eino kalevi, and africaine 808, blowing the dust of the original scores.

note: import release - limited repress - comes with digital download code and a 16 pages silkscreen printed journal with articles in english and french.

mechatronica launches their new white series, dedicated to limited edition white label records across synth, wave, ebm and italo with a va release featuring inhalt, violet poison, sneaker and daniel holt.
mechatronica white 1 opens with sneaker’s gloomy remix of german synth-pop band opus leopard, followed by the electrifying instrumental version of “alles” - a relentlessly progressing piece of body music from san francisco trio, inhalt. on the flip, violet poison summons a fat, trippy ebm-leaning groove, before daniel holt finishes off the record with anthemic synths and a ticket to the cosmos on “floating mansions”.

brawther proudly presents his first full length album, transient states. just over 10 years into releasing music, the lp sees the frenchman collaborating with an array of musicians and his first vocal song, with the appearance of detroit unsung hero javonntte and the listeners gradually transit via dub,techno, hip hop, ambiant and straight up jacking numbers. brudan in leeds sees a new collaboration with daniel paul (cab drivers). the album also marks the start of his imprint negentropy, a long awaited home for all his musical endeavors and fantasies. without any strict musical policy but one based on quality over quantity, it will manifest the latest adventures and experimentation of the french artist.

a new duo launches by the name of ghost vision. joining forces with an introspective, uplifting debut slice on kompakt, the pair are two well-known figures thomas gandey aka cagedbaby, member of matom alongside matt edwards, and daniel mclewin, half of uk-based production duo psychemagik. fruit of these blissful moments when no imaginary wall obstructs the vision and the stream of consciousness gives up to the entrancing magic of the creative flow, saturnus is an upright mano a mano between two musicians and their gear, unchained from all preconceptions and biases, real (machine) talk as the hip-hop heads would say.

gab rhome is back on all day i dream with, believe it or not, his very first solo release. we first encountered our bowtie wearing friend via his collaboration with maher daniel way back in the label s catalogue. he dropped by again last summer as one of the tracks on our annual summer sampler release with venus. it rocked the beatport deep house chart for months. continuing in that vein we find two wonky fun summery house tunes with rolling grooves, tinkling pianos, glassy sounds and memorable melodies which is fun to say by the way go on, say it. say it out loud right now on your plane journey, in the coffee shop, hotel room or in bed with your cat words and music to make you smile

the first last gas station compilation includes 12 new tracks and aims to showcase artists that the site has followed for many years, as well as promising talents to keep an eye on. featuring las daytime disco duo poolside,vampire weekend s bassist baio, italian duo marvin & guy, brooklyn s duo vito & druzzi, adelaide-based producer james curd and turbotito, california balearic duo woolfy vs projections, disco halals moscoman, mexicos finest zombies in miami, ny unstoppable disco funkers midnight magic, dfas greek mastermind larry gus, crew love’s david marston, and last but certainly not least peaking lights acid test. this will be a ride to remember.

berlin based co-founder of visionquest shaun reeves has gradually carved out his unique take of raw, minimalistic house music over the years via releases on dorian paics raum...musik, one records, his new shantu label alongside tuccillo and of course his own visionquest. here we see him pairing up with canadian duo maher daniel and amir javasoul who together as creatures of habit have been picking up attention from the likes of ricardo villalobos, zip, raresh and apollonia amongst others. here marking the debut of their collaborative creatures of shaun guise the duo offer up their mind over matters ep, the title-track leads and lays down mind bending, modulating percussion and synth swirls alongside bumpy bass grooves and hypnotic atmospherics whilst stirring in a tripped-out spoken word vocal sample to further fuel the psychedelic house feel. blink follows and tips the focus over to resonant subs, stripped-back organic percussion and murky vocal swells, again resulting in something mesmerizing and groove-led before out of orbit reduces things even further to refined shuffled hats, minute rhythmic modulations and snaking bass flutters.

acid fika, a slice of the swedish acid scene. here we have an absolute massive compilation of current acid from sweden.

clash lion is a mix of three personalities shall ocin, terr and daniel watts. three artists with different musical backgrounds merging forces to create a truly eclectic and open-minded label. after the success of their first release from maetrik firmly putting this label in the spotlight, it was followed by releases from shall ocin and daniel watts. anna who started 2018 with the acclaimed‘hidden beauties ep on kompakt now comes back with a 3 track ep for clash lion. her debut on the label kicks off with suzi in transe, a roaring synth work drives this track into the deep and dark realms of techno, but with an acid element thrown in for good measure. ethereal yet brooding, impression is a track that grows and grows. its classical piano stab perfectly blends into the mix, keeping its dancefloor ready pace right to the end. 80s flare, break beat focused rhythms and an explosive synth riff. into the void is the most futuristic offbeat techno piece we have heard from anna, and makes for a standout new release with three varied and texturally interesting tracks.

the original motion picture soundtrack from “the greatest showman” with songs by benj pasek and justin paul.

daniel schwerdel aka acid lab has been a familiar face on lossless music and dope plates over the last few years. turning heads with his tracks “ancestors” and “tundra”, dan has laid the ground work for a bigger project, a solo album. “a matter of time” is a stunning 10 track breakbeat odyssey which sees dan draw on influences from the past as well as futuristic visions which combine to form a body of work that perfectly fits the dope plates ethos. pressing on black & clear mixed vinyl.

official re-edition of distant planet & sync done by attias brothers. -distant planet- released on neroli in 2000 & licensed on daniel bell mix -the button down mind strikes back -in 2003 is incredible emotional track. -sync- produced on alex attias alias freedom soundz in 2003 for west london vibes.

shakarchi & straneus inhabit a secret place in the universe of music, one existing at the intersection of scandinavian poplands, hisingen forest raves and outernational placelessness. faik shakarchi and daniel stranéus famously started making beats together in the gothenburg tapas-joint coat check where they both worked as clerks. their now 10 years old friendship is the story of legends, their sparse vinyl output the secret love of deep house 12inch enthusiasts round the globe the warm, vibrant sounds found on those records a stark contrast to the stripped-down effectiveness of their marathon dj sets, frequently heard within the more nefarious examples of gbg nightlife.

weaving the old with the new.
exploring the known and the unknown.
time is just irrelevant,
it’s the journey that matters
stories are forever...
mystery repeats!

genii’s debut ep on feines tier. we are more than happy to present four tracks by the man from amsterdam who’s also responsible for countless dutch party and festival happenings as well as the productions for electronic live band dialoque. artwork by daniel hageman.

australia’s what so not is pleased to announce his long awaited debut album not all the beautiful things, featuring frequent collaborator skrillex, legendary rock legends toto, as well as san holo, slumberjack to name only a few. over three years in the making, not all the beautiful things is about transformation and metamorphosis, a culmination of everything the australian-born artist has been working towards as he’s built his reputation as one of the most innovative producers in the game, garnering over 455 million combined streams in the process. more than an album, it’s a fully realized artistic statement in which what so not is in full control of every aspect, from the stage design and visuals to the music videos and merchandise. “i didn’t want to put anything out that doesn’t cohesively match the essence of the songs,” explains the man behind it all.

bondage music continues its home (remixes) package this march with part four, the last part comprising remixes from guido schneider & daniel dreier, kike mayor, toygun and muui. vinyl only - 180gr pressing

2×12 180gr. vinyl only.
written and produced by alexandru razvan, andrea ferlin, alex jansen, cem güvendiren, daniël lekatompessy, giuseppe marchegiano, topper, and volkan ak&#305,,,n.

when daniel kyo was producing galaxy in his studio he stood up and felt it. following several months of what he calls a -musical reset-, he knew he d hit something special. after releasing music for a decade, core might be the boldest step in his career. a new identity in which all his influences finally come together into an absolutely fresh perspective. melodies are still the main driving force of the five cuts in galaxy , but the approach is more raw and heartfelt, injecting the kind of vivacity that determines if a track it s simply a product of it s time or if it becomes timeless. borrowing elements from the cosmic side of techno, the darkest corners of trance and the glacial atmospheres of synthwave, all of the tracks in this ep ooze the kind of immediacy and transcendence you can only find in the best 90 s dance music. driven by is interest in astronomy, daniel says he tried to achieve an -outer space feeling-, we can only add that embracing the void was never so gratifying. the 12- comes housed in a sleeve designed by barcelona-based artist alicia carrera.

the next collaborative release between freeride millenium and pauls musique is a terrific two-tracker from manchester artist joseph louis harland manning under his new alias los angeles with the 7? vinyl release artwork designed by daniel rajcsanyi as part of his ‘baby exhibition in austria. joseph louis harland manning was the drummer of the band wu lyf and is involved in projects like los porcos, the mancunian boyband menage a trois and dream lovers. under his other aliases he released on aficionado, cracki, ocean records and is it balearic? sub label u?ber as well as having made music videos for molly nilsson. here he is fine form across a pair of delicate and moving synth tracks. opener ‘lamour is a gentle cut that starts with celestial chords and wide-open expanses of synth before a buried deep groove slowly comes to the fore. breathy vocals also add to the loved-up, dreamy feel and the whole thing carries you away in a majestic reverie that shifts from ambience to new age house. the track features the artists own field recordings from the streets of berlin, twisting up sounds from the sidewalk into percussive notes that give an organic feel. the perfectly soothing second offering is ‘i wanna go to heaven is a gorgeous synth piece that suspends you in a crystal clear blue sky on a warm summers day. chords are smeared and stretched whilst angelic, wordless vocals drift by. it is the sound of a blissful passage to the afterlife and will leave you feeling cleansed.

max romeo has teamed up with uk based, grammy nominated producer daniel boyle, to create a stunning return to form, roots reggae album with accompanying dub versions. max is noted for his critically acclaimed work with lee scratch perry in the 1970 s, and for his timeless classic songs penned over the last 50 years - such as war ina babylon melt away one step forward and the worlds most sampled reggae song ever - chase the devil . picked up by artists such jay z, kanye west, the prodigy and blockbuster hit movies. max and daniel have teamed up with an all-star cast of musicians to create a true part 2, to max’s legendary, ‘’war ina babylon’’ album. using strictly studio equipment ranging from between the 1950’s – 1970’s, recorded and mixed in 100% analogue format, and presented with stunning artwork in physical format.

three tracks of left-of-centre dance music music from the ears have eyes label bosses murun b and ivor e. the track names draw on imagery from hazy memories of cartoons from our childhood. detroit leaning techno, breakbeat-house and 3am trippy goodness. dj support: bwana, west norwood cassette library, john digweed, edmondson, robert owens, gramrcy, john osborn, carl craig, soul clap, happa, tensnake, franck roger, kid enigma, ian blevins, hammer, dubble d/moodymanc, klose one, daniel drumz, groove chronicles, ame, altern-8, jacques renault, altered natives, len faki, leisure system (sam barker), steve lawler, horse meat disco, chrissy murderbot, seven davis jr

new flesh records 19 ever wonder what would happen at the first minuts of an alien in-vasion? answer can be found on geometric vision, the debut ep of hungarian electro don norwell on french new flesh records. real name balazs semsei, norwell has turned out a steady stream of releases on labels like dalmatia daniel, pinkman, chabu recor-dings, seagrave and his own farberwechsel imprint until now, always coming on strong with a personal artistic vision plus a sense of drama. across four craftily cuts on umwelts label, he revisits his own dystopian universe made of sonic frequencies fused into rich atmosphere with a strong array of emotions. from the haunting opener geometric vision to the explosive final conversation patterns, nor-well signs one of his best release to date. fascinating synth melodies supported by raw drums and insane electro textures compose this must have 12inch and an essential addition to the new flesh catalog. heavy electro darkness for serious heads, this is a soulful ep full of depth, impossible to ignore!

for its latest release, weirdest dream has landed on dopeness galore for a supernova of atmospheric sounds called white worms. weirdest dream is the moniker and playground of stockholm-based galactic explorers daniel fagerström & luciano leiva. with a history of releases on rvng and permanent vacation the duo plays around in a constellation of all analog and early digital synthesizers such as the tr-909, waldorf microwave, yamaha dx7, roland juno-60 and akai mpcs. an ambient cloud of sonic surrealism, white worms is a curious exploration of the celestial sphere through echoes of patrick cowley, sensations fix and tangerine dream.

ben buitendijk, kaap, daniel jacques, and 543ff feature on Æxs fifth vinyl release. a sub label from amsterdam based label indigo aera. 200 copies limited edition red ink hand stamped white label disc

nice price deal !!! dimitri veimar is the kind of musical discovery that, were i were a religious man, i would go to bed and pray for every night. modern day acid house that stays below the 120bpm mark but retains a certain punch whilst having an air of techno cool and swagger to it. - daniel avery talking to dummy

mental groove music and musique pour la danse are ecstatic (and there couldn’t be any better way to express our feelings here) to announce the first volume of mental groove classics, music played at the early warehouse raves and illegal fields parties of the same name. a compilation of rare, forgotten or sought after gems, topped with extra loops and intros for the working djs, and each side of the record ends in style with original pirate radio cuts which showcase the music in its original context, extended liner notes and interviews of the featured artists by dj, producer and radio host jerome hill of don’t / super rhythm trax / kool fm london fame. all tracks are remastered from the original sources by former dubplates & mastering engineer frederic stader (aka dj maxximus / warp records) and cut by daniel krieger at the legendary schallplatten schneid technik studios

clash lion is a mix of three personalities shall ocin, terr and daniel watts. three artists with different musical backgrounds merging forces to create a truly eclectic and open minded label. after the standout success of their debut release from maetrik in september, the labels second helping comes from label co-owner, shall ocin, known for his heavy use of modular synths, analog rhythmboxes and custom-made effects his bounty hunter ep is definitely unique. cicada layers atmospheric modulations, slow pulsating synth work on top of a booming bass drum. dark synth tones resonate to create real exploration of sound. raw, and somewhat ethereal in its composition ‘bounty hunter’ layers frequency patterns in a fresh formation, leading into a heady path of sound texture before its thunderous release with a booming synth riff. the labels mission to achieve eclectic, no boundaries electronic music has been displayed throughout this release from shall, with the final track yummy jam creating an experimental electronica vibe, showing his passion for innovation.

die ursympathische, trinkfeste und gern auch mal alberne doppel-lp des tam tam tanzlokals (aka kammerspiele bar) in münchen. eine platte, die gut zuhören kann und dich versteht. eine platte, die für jeden spaß zu haben ist. die mit dir bis zum nächsten morgen in den dreckigsten clubs der stadt tanzt. und die mit dir genauso gern raus an den see fährt und kirschen isst. zwei platten mit tracks und songs von den djs und bands, die das tam tam tanzlokal in seinem ersten jahr zu einem unverwechselbar offenen, verrückten, partyhungrigen, allesistmöglichen, duweißtniewaspassierten ort gemacht haben.